Sunday, December 5, 2010
Animated Bokeh
One of my Motion Graphics assignments is to create a piece that interacts with music.
I decided to use bokeh effects from my 85mm 1.4. Each frame was shot on automated intervals depending on how fast the scene was to be played out; all the jpegs were imported as image sequences into Adobe After Effects. While the camera shot at quick intervals, e.g. 3 frames per every 1 second, I controlled the elements on the set, grabbing lights, water control, and focus rack. I shot about 4000 frames of which 2500 got chosen into the piece. Towards the end of the piece, I used this technique to create the N & E letters.
*details later*
Friday, December 3, 2010
Spot the Soft Edges
Most lenses, when making the picture, create softness on edges of the frame. The lens focuses light sharply in the middle of the camera's sensor but as the light reaches the rim of the lenses, the sharpness deteriorates, hence the soft edges. More expensive lenses allow for more complex lens configurations to treat the soft-edge condition. For any lens, using high f-stop helps prevent soft-edge effect but not always 100%.
tripod
Sometimes the soft-edge effect doesn't affect our photos much. Your audience won't be spotting lens deficiencies on the first look; they'll be looking at your subject matter more importantly. There are some cases where soft edges are undesirable: A solid or consistent pattern/texture across the whole image will reveal itself more easily, you can see soft, sharp, soft looking left to right on the frame. A subject who partly reaches beyond the frame, for example, an arm that crops off to the right causes sudden sharp to soft.
Edge softness also reduces contrast in those effected areas.
Sometimes the soft-edge effect doesn't affect our photos much. Your audience won't be spotting lens deficiencies on the first look; they'll be looking at your subject matter more importantly. There are some cases where soft edges are undesirable: A solid or consistent pattern/texture across the whole image will reveal itself more easily, you can see soft, sharp, soft looking left to right on the frame. A subject who partly reaches beyond the frame, for example, an arm that crops off to the right causes sudden sharp to soft.
Edge softness also reduces contrast in those effected areas.
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